Підсумкова контрольна робота

It's difficult to find ... nowadays.

She went to the mall with some friends from ... .

If I were you, I wouldn't access Facebook when you are at ... .

She's got ... working for an international auditors.

Worringly, ... losses have increased sharply over the last 12 months.

"I've been ill for a couple of weeks."

He told me ... for a couple of weeks.

"I was at the doctor all morning."

She told me that ... at the doctor all morning.

"I can't do it without your help."

She totd him ... .

"Get out!"

She ordered me ... .

"I'll lend you the money."

He told her that ... the money.

"Could you please open the window?"

She asked me ... the window.

"Don't be late!"

The teacher asked us ... .

Four years ago Maria worked for a small HR services provider ...

Maria has been in her current job ...

Maria's current role is focused ...

Maria ...

Maria will need to ...

Maria ...

Read the text and tick only TRUE sentences.

Eman Mohammed: the courage to tell a hidden story.

When I turned 19, I started my career as the first female photojournalist in Gaza Strip, Palestine. My work as a woman photographer was considered a serious insult to local traditions, and created a problem for me and my family. The male-dominated field made my presence unwelcome by all possible means. Thay made it clear that a woman must not do a man's job. Photo agencies in Gaza refused to train me because I was a woman. The "no" sign was pretty clear. Three of my colleagues went as far as to drive me to an open air strike area where the sounds of explosion were the only thing I could hear. Dust was flying in the air, and the ground was shaking under my feet. I only realised we weren't there to document the event when the three of them got back into the armored Jeep and drove away, waving and laughing, leaving me behind. For a moment I felt terrified, humilated and sorry for myself but my colleagues' action was not the only death threat I have received, although it was the most dangerous one.

Women in Gaza are seen as passive creatures, a lot of women are not allowed to work or have an education. With two conflicts in their lives, na,elyh the war and social restrictions in their lives, the bright stories women had to tell were fading away. To men, women's stories were seen as insignificant. When I started paying closer attention to the women's lives in Gaza, I had access to worlds where my male colleagues were forbidden. In front of a police compound in Gaza city durind the first war in Gaza, an Israeli air raid managed to destroy the compound and break my nose. For a moment, all I saw was white, bright white, like these lights. I thought to myself, "Either I'm blind or I'm in heaven." By the time I managed to open my eyes , I had documented this moment.

My work is not meant to hide the scars of war, but to show the unseen stories of Gazans. As a Palestian female photographer, the journey of struggle, survival and everyday life has inspired me to overcome the community taboo and see the different side of war and its consequences. I have become a witness with a choice: to run away or stand still.